The Honey Pot Bee – Coral Crown Block

Hello and welcome to Frankenstein’s Fabrics! My name is Marni Franks and I’ll be one of your Queens for November’s block party.

The block I’ve chosen is one I designed, taking inspiration from traditional star and crown style blocks adding a little twist here and there.

When I first designed this quilt it was for a magazine commissioned piece and was sea-themed so in my head it was all about the ‘crown’ feel of the block – like sea anemones and sea urchins.

WARNING: This block has 69 pieces in it. I made 25 of these blocks for my quilt and it can be tedious making so many but making one block is fairly straight forward.

So let’s get started!

Note: Fabric descriptions as per my block

You will need:
Four, 4 1/2in squares of halloween character print
Four, 2in squares of dark sludge green spider web print
Four, 2 1/2in squares of light purple plain batik
Five, 2 1/2in squares of dark purple tone-on-tone spot
Four, 2 1/2in squares of light sludge green tone-on-tone spot
Eight, 1 1/2in x 2 1/2in rectangles of dark purple tone-on-tone spot
Eight, 1 1/2in squares of dark dark sludge green spider web print
Four, 3 1/2in squares of dark dark sludge green spider web print
Four, 3 1/2in squares of light purple plain batik
Eight, 3 1/2in squares of light sludge green tone-on-tone spot

Here we go!

9-Patch centre 
Dark Unit: Take one square of 2 1/2in light purple and two squares of dark purple. Stitch one dark square to either side of the light purple square and press the seams to the darker fabric. Make 2 units like this.

Light Unit: Take one square of 2 1/2in dark purple and two squares of light purple. Stitch one light square to either side of the dark square and press the seams to the darker fabric. Make 1 unit like this.

 

Abutting the seams stitch one dark unit to the side of a light unit. Press the seams. Attach a second dark unit to the other side of the light unit. Press the seams and set aside.

Half-Square Triangles
Pair up 4, 3 1/2in squares of light green with 4, 3 1/2in squares of light purple. With right sides facing, draw a pencil line diagonally from corner to corner across the wrong side of the pairs of squares. Stitch 1/4in either side of the drawn line. Cut along the drawn line and press open. Trim the squares down to 2 1/2in.

Note: I always make my HST units a little bigger than I need so I can trim down to size without any dramas. If you don’t feel comfortable with cutting squares at 3 1/2in go up to the 4in mark.

Repeat this for the remaining 4, 3 1/2in squares of light green and the 4, 3 1/2in squares of dark green.

Corners – make 4
Take one 4 1/2in square of halloween character print and in one corner place with right sides facing, a 2in square of dark green. Stitch across the diagonal, trim away the excess, 1/4in from the seam and press the corner open. NOTE: Please make note of rotation of your 4 1/2in square before attaching your dark green corners, in case you have a directional print like I do.

Tails – make 8
NOTE: Separate your pieces in half (two lots of four). You need to do this so that when you stitch them together you create a left and right-hand unit. 

Take a 1 1/2in square of dark green and a 1 1/2in x 2 1/2in rectangle of dark purple. Place the dark green square, with right sides facing, at the top of the purple rectangle. Stitch across the diagonal (either left or right), trim away the excess, 1/4in from the seam and press the corner open. Make 4 left and 4 right units.

Crown Unit – make 4 of each
Using the photos as a guide lay out the units, checking their orientation.

Take one light green 2 1/2in square and attach a dark green/light green HST unit to either side (check rotation). Press the seams. Piece 4 green units like this.

Take two light green/light purple HST units and piece them together (check rotation). Press the seam. Attach one left and one right tail unit to either side of the paired HST. Check the rotation of the tail unit. Press the seams. Make 4 units this way. See photo above.

Join a pair of the above units together lengthways. Press the seams. Repeat for all 4 units.

Take 2 Crown units and join them to either side of each of the 9-Patch centre. Press the seams.

Finishing the block
Take one of the Crown units and two 4 1/2in halloween character/dark green corner squares and attach one to each end rotating so that the dark green corner is in the bottom corner, use the photo as a guide. Repeat pairing up corners and units to make 2.

Using the above photo as a guide join one corner/Crown row to the upper edge of the Crown/9-Patch row, press the seams. Repeat with another corner/Crown row on the lower edge ensuring you check the rotation is correct. Press the seams.

Ta da!

Below is the quilt I made for Australian Patchwork & Quilting magazine – it’s actually the current issue Volume 27 No 8 and is available now. As you can see the use of just two colours in a light and dark tone really reveals the tertiary and secondary designs that the block creates.

If you have any questions about this block you can comment below, email frankensteinsfabrics@hotmail.com, ring me on 0416 023 637 or you can find me in the Honey Pot Bee group on FB.

I can’t wait to see your blocks!

Happy sewing!

Marni xx

 

 

 

Why hello there, 2016!

As we waved goodbye to 2015 last night, like all new years celebrations before it, many of us turned introspective. Minds turning towards the potential of the new year, whether it be personal or for business.

This year things are changing here at FF HQ. In fact they started changing a little while ago but the big jump into the new things is happening NOW.

Firstly – many of you know I am teaching. You might have been to a class or spoken with me about coming to one when you’re ready. This year is chock-a-block FULL of classes. Click here to sign up for class news. I’m running basic blocks for those who want to get started, project classes where we tackle specific quilts or designs, colour theory for those who are struggling with choosing fabrics and one-on-one classes for those who are determined to get to the bottom of the UFO box.

I am also in the process of designing a new range of quilts and unlike many of my previous designs these will not be headed to the magazines. These will only be able to be purchased through my online store. I’m returning to my designing and writing roots this year because that’s what makes me happy.

This year Dawn Lewis from DawnLewisImagery and I will be utilising a new video style platform in order to bring tutorials and unprecedented access to us in an interactive online session. This will enable you to sit in on a Skype-style video call and talk to us live online and with other customers. If you don’t want to be ‘seen’ on the video call then you are also able to jump in the question section and ask us anything you like. All you need to get started is a Twitter account! I have a session scheduled on the 20th of January at 10:30am if you’d like to join us  and see what it’s like. For those who aren’t quite ready for it you can watch online but you won’t be able to ask questions or join in live.

I’m also working on a batch of videos – reworking basic skills and techniques and getting a good bank of videos we can all refer back too whenever we need a refresher or if you want to encourage a friend to join in on this hobby. If there’s something specific you’d like help with please let me know.

I am still contributing to the magazines this year as well – you will continue to see my projects in Handmade and Patchwork & Stitching magazines as well as a few other projects elsewhere, that you’ll see later on in the year.

I’m re-working the shopping cart on this site as I am no longer selling fabrics online, most of the products will be digital and instant download (no shipping!!) as well as copies of Mollie Makes and hard copies of vouchers if people need them sent out.

Machine quilting bookings are filling up. January is full, February – April have some spaces available. Please book ASAP to ensure you get the slot needed for your quilt. I will be introducing a loyalty card system for machine quilting (retrospectively adding quilt jobs), with discounts and incentives for customers.

Currently though I’m having a bit of downtime as January is full of some crazy things that are happening. My birthday, a few health things I need to take care of and my cat requires some surgery so I will be around but if you  miss me I’ll get back to you all when I can. I am working at The Gosford Sewing Machine Centre – usually Tuesdays, Fridays and Saturdays but if you need to see me specifically please give me a call.

I hope everyone has had a lovely festive season and is now ready for bigger and brighter things in 2016. I also hope that you join me this year and continue to support Frankenstein’s Fabrics and the new direction that we are headed in.

Happy Quilting!
Marni x

2015-11-07 21.03.41

I’ve been a bad blogger….

*waves*

So I’ve been a little lost over in the world of Instagram since before Christmas, I haven’t been blogging, I kind of hid from the world over New Year and then I hit the big 3-0 and I’m way behind where I should be. Schedule schmedule.

So MerryChristmasHappyNewYearHappyAustraliaDay etc….

Frankenstein’s Fabrics HQ has been a tad adrift since early December when I lost my sew-jo. I wasn’t feeling up to anything much, and I was pretty much giving myself permission to wallow in some self pity. I was exhausted and not feeling much of anything emotionally. Partly because that time of year is my kryptonite and gets me down anyway but the ramped up social expectation drives me crazy and I just want to hibernate with my laptop, sewing machine and my wi-fi.

BUT

Now that craziness is past and the rest of the world has chuffed the kids back to school, normal viewing can commence.

So to get things back on track and the new year bringing new things and exciting adventures in the world of me (not being narcissistic just really into my plans for this year) here’s a quick round-up of the important things you’ll need to know for this first quarter of the year.

1. I started a Facebook group, which will have one free quilting patten released each month for the whole year. This is in order to get people motivated and inspired. The group is 40+ strong at the moment and we’d love for you to join us. We are also using the group to help each other whittle down that sneaky tub of UFOs, ask questions, get help with troublesome projects/techniques and anything in between.

2. Mum is stitching away nicely at her quilt (which was meant for winter last year but life got in the way). It’s about to have the last border popped on and then it will be ready for quilting. There will be proper detailed blog posts about this as she proceeds and you’ll be able to get the instructions if you would like to make this quilt as well.

3. I am loving Instagram! It is so much more rewarding and friendly than Facebook,  I think because it’s more instantaneous and visual which is a must for all of us creative types. Please feel free to follow me if you have an account. The most amazing thing about it is the swaps that I have signed up for – hoops, bags and mini quilts everywhere! I’m met lovely people who are like-minded as well as starting my own mini quilt swap. I dived right in and #kittenmqs2015 was the result – inspired by Vladimir.

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4. Charity quilting – Quilting for charity is a unique and humbling experience. At the moment I have 8 quilts pending for BlanketLovez, I’m also quilting two very special quilts for the families of the Lindt Cafe victims. This has been organised by Molli Sparkles and the team of Glitterati who have donated hashtag blocks from all around the world.

5. In an effort to get things back on track for my poor body and my health, mum and I took up Tai Chi last year and have managed to stick with it into 2015. If you are on the central coast and would like to come to classes head to Central Coast Yang Tai Chi for more info. Steve is an excellent teacher.

6. Lastly, things haven’t quite panned out the way I wanted them too with classes in the new year. I was waiting on some information to come my way but it wasn’t to be and now the schedule is up in the air again. I will be sending out a newsletter with class info mid-February so if you would like to know what’s happening sign up here.

Anyways, I think that catches everything up for now.

I’m off to bed and will be back later with more happenings at FF HQ.

Happy quilting!

Marni x

Christmas

So the man in the red and white suit will be headed our way shortly (38 days!!) so it’s time for everyone to run around like headless chicken and get gifts, festivities and food sorted out.

I’m here to help 🙂

I have pre-made quilts and quilted items ready to post NOW if you head over to my hand-made store. All you need to do is purchase and it will be winging its way to you in no time at all.

However if you have a person to buy for who is crafty I have a few more options –

1. You could purchase a gift voucher which allows them to purchase the goodies they want/need.

2. You could buy them a selection of fabrics/haberdashery and make up a lovely craft pack.

3. If they quilt but never seem to finish any quilts – get them a machine quilting voucher.

Vouchers are here.

Fabrics are here on the website under the store tab.

Custom orders for the year are CLOSED but I am taking bookings for them for 2015.

Also if you are interested in classes in the new year please head over  and sign up for the newsletter.

I will be updating the webstore shortly so if there is something you are after but can’t see – let me know and I’ll sort it out for you. 🙂

October!

October is by far my favourite month of the year.

It not only has my favourite holiday Halloween but is also the birthday of the shop and this year for the shop’s third birthday I’ll be doing all sorts of wonderful things to celebrate.

Firstly there will be the ongoing competition.

To enter all you need to do is place a mail order (or orders) during the month of October. For every $5 you spend you will receive a numbered ticket. At the end of the month everyone’s numbers will go in my lucky witches hat and I will draw out a winner.

The prize: a $50 gift voucher to spend on fabrics (or it could go towards quilting costs if you prefer), a blue size 16 singlet top that has a screen printed black bat on it that I made in my screen printing class in September and some of my quilt patterns.

I will also be doing an overhaul on the store section of the website – this is more from an inventory standpoint so that all future sales are easier to track. There will be a heap of quilts listed on my hand-made store, all ready to be posted and perfect for Christmas gifts.

We’ve also passed 1000 likes of FB and 100 followers on IG so I’l be doing a little something to celebrate those.

Also if you would like to join in my fabric swap please drop me an email – frankensteinsfabrics@hotmail.com. The cut off date for sign ups was today but life go out of hand so I’m extending it for October.

swapinfo

 

There will be more details on the competition as well as a picture or two of the singlet top and the patterns etc so stay tuned!

 

Marni x

A bit of info…

Hey all!

I’ve been busy the past few months catching up on life and things in order to make sure that as we hurtle towards the end of the year and Christmas everything runs nice and smoothly. 😀

So…

Custom quilt orders will be cut off as of midnight the 5th of October. There are 2 spaces available between now and Christmas.

Custom orders for other items (cushions, runners, placemats, hair accessories, aprons etc) will be cut off mid-November to ensure Christmas delivery.

Machine quilting will be cut off on the 8th of December with the last day for quilt returns being the 19th of December. There are spaces available just contact me to find out more.

I am in the process of looking for a suitable venue with dates and times for some basics classes (understanding your machine, patchwork basics, patchwork patterns and binding). If you would like to be popped on a mailing list for class information please email me: frankensteinsfabrics@hotmail.com

As always – any questions just ask. 🙂

 

 

Mid-Year…

So nearly at the middle of the year, tax time, 6 months till the end of the year and time to reassess what I’m doing.

At the start of the year I made myself a resolution to finish UFOs. I have done a few, not as many quilts as I would have liked but I have also made inroads to finish other UFOs – runners, bags and other craft stuff that I’ve been working on….

I’m doing a Classic Horror Movie Monster cross-stitch from Cloudsfactory that I bought ages ago but have done barely any on. I’ve done Frankenstein’s monster, the Bride and the creature from the Black Lagoon, next is the Invisible Man, then Dracula, Wolfman and the Mummy. I can’t wait until it’s finished and I can get it framed.

3/7 done

I love cross-stitch but I’m really slow to get things finished – handwork is really not my forté so it takes me three times as long to do.

I’ve also been working on using pre-cuts to make a few items. I collect pre-cuts like most quilters do, you pick one up at a show or on sale and it sits in a box or the bag it came in and gets forgotten because you don’t know what to do with it or you struggle with the limitations of the size that its been cut at. I have a jelly roll sitting waiting for me but the project I’m saving that for is something that some friends and I are working on. The other pre-cuts I love at the moment are the mini charm square packs – 42, 2.5in squares – I’ve made a few things with them, but because they are so small its hard to keep coming up with ideas. This is the zippered pouch I’m doing today.

I’m also working on  new quilt. I spotted a wreath on Pinterest sometime last year and it was lovely and soft grey tones with brighter peach flowers on it. I loved the colour combination so much I decided that I wanted to make a quilt in those colours. I did start this quilt last year but it has sat in a bag since as I got distracted by other projects. Yesterday I sat and pieced almost all of it and it will be on the quilting machine next week. I’m really looking forward to free-motion quilting something gorgeous in those wide spans of grey linen. YUM!

20140610_022009

The move is going well. The new space is nearly cleared out and I’m still packing over at the studio. I’m aiming to be out by the end of the month but it is a little flexible. I really don’t want to muck around with moving as it is such a painful process but it is good in a way because it forces you to declutter and clean things out that you’ve left on shelves and in boxes for far too long.

I’m really looking forward to the new space as it means I can work more to my body’s natural hours. I’m a night owl, its well known that I’m no good in the mornings… 🙂 and because of the new space I am able to teach small classes. Nothing just yet, after mid-July when I’m all sorted, but you can book in now – just email or ring me.

Colour Class – 1.5 hours, $15.
Binding Class – 2 hours, $20, learn several types of binding.
Cutting and Piecing Class – 3 hours, $30, learn about all the tools needed for cutting, how to calculate and cut, then how to piece, press and iron.
Basic Pouch Class – 2 hours, $20, includes inserting a zip.
Basic Table Runner – 3 hours, $30, learn to design and piece a basic runner for your table.

I am located in Gosford so classes are intended for locals or those traveling through the Central Coast. If you are interstate please don’t worry as I can do video classes for you – please PM me if you are interested in those. I’m taking bookings now so if you’d like to secure your place please let me know and I will organise an invoice for a $10 deposit.

Anyways, its another wet and miserable day here on the coast so I’m off to make another cup of tea and get back to my sewing.

Marni x

Machine quilting

The other day I was fortunate enough to see this link that a friend (also a quilter) posted on her FB page.

I read it with interest, agreeing with some points, recognising that I could adjust my own view on others.

But one thing has struck me since reading this blog and that is if you piece a backing PLEASE piece it with the same care and attention to detail as you would the front.

Backing is important regardless of your view on it because it will be important to the overall finish of your quilt. Whether it gets professionally quilted on a long-arm or a DSM it doesn’t matter but how the backing sits is a key point in making sure your whole quilt looks its best.

I’ve often found there are several schools of thought on backing. I myself fall into the first category.

1. The ‘Match the backing’ club: This group wants the backing to match the front in some way. Using up the leftover fabrics from the front or matching it with another fabric altogether. This group often consists of Modern quilter’s with lovely pieced backings, those who like symmetry and those who like to use what they bought for that project.

2. The ‘it’s only backing’ club: This group seem to not worry about matching – theme, colour or style – they pick up cheap backings whenever they see it and whatever takes their fancy at the time a quilt is finished, it goes on as backing.

3. The ‘I’ll use something plain’ club: This group use primarily homespun, calico, quilter’s muslin or a very plain wide back. This group is rare. I hardly see any quilts like this anymore.

There is nothing wrong with any of the above ideas for backing. I’ve used all three types over the almost 300 things I’ve quilted over the last decade BUT the one thing that has been the same is that whenever I piece a backing it’s done with care.

Because a backing needs to be attached in a certain way to the ‘leaders’ (the fabric attached to the roll bars on a long-arm frame) it needs to be as accurate as you can make it. As a quilter I have seen many backings – some have come to me off the roll, some cut to size and some pieced – off the roll is best for less changes to the nature of the fabric as I can pin the straight selvedge to the top leader and adjust the bottom one as necessary. Cut to size is problematic as cutting it to size often results in too small, or it shifts during quilting and then one side has less, the bottom doesn’t make it all the way, corners are way off…. Pieced backings cause issue, because lets face it a seam creates a weak spot – seams undo themselves, seams might not be straight and seams may have been stitched incorrectly causing rippling.

So in order to solve these problems –

1. Off the roll: Where you can, leave a selvedge for the top edge of your backing. Talk to your quilter about it and if needed mark it as the top of your backing.

2. Cut to size: Backing for many long-arm quilters needs to be at the barest minimum 4in extra ALL the way around a quilt top size. This is mentioned in the link above. I would say 6in to be safer and 8in if you are getting dense quilting done. Please don’t cut backing ‘to size’ because it just won’t do. If you intend on machine quilting on your own domestic machine then cutting to size can be preferable as it reduces bulk BUT if you change your mind and want it quilted on a long-arm please piece some extra around your backing – an extra strip of homespun, or the like to help us get your quilt onto the machine – or rethink your backing altogether and start again.

3. Pieced backings: Lay your quilt top out flat and measure it. Use those measurements and then add your 4-8in all the way around. Draw up on graph paper your backing dimensions and then work out your piecing from the outside edge in. (Craftsy have a really good class on modern quilt backings with Elizabeth Hartman called Creative Quilt Backs, this may help with your backings if you have trouble). Piece your backing together as carefully as you would the front, taking the time to press as you go and run a row of stitching all the way around the edge of the backing to prevent seams unravelling. Use starch if you like and make sure all threads are trimmed away. Above all don’t rush, I know it’s exciting being nearly done or nearly ready to quilt but don’t rush your backing.

If you are sending your quilt away to be quilted make sure everything is pressed, trimmed and stitched securely so that it can handle any jostling while it travels to the along-arm quilter. Be clear with what you want for your quilt, discuss your options with the quilter and make sure you get anything you need in writing. I use an invoice book when I’m booking in a quilt, I write down the size, price, batting, backing, thread, design and due date (timeframe if the quilt is needed by a certain date: birthday etc). My customers pay a deposit and then the balance when the quilt is picked up. So the deposit amount and date is also included on the paperwork. Other things that we quilters look for when booking in your quilts are things like – do you want the quilt trimmed down ready for binding, do you want us to attach the binding, make the binding, are there labels that need to be quilted on as well?

There’s many things that need to be thought about in the process of making a quilt but if you trust in your long-arm quilter, their experience and talent you will have a finished quilt to be very proud of.

If you would like to know more about long-arm quilting you can check out the machine quilting page, email me frankensteinsfabrics@hotmail.com, ring 0416 023 637 or comment on this post.

Watch this quick video to see the machine in action

 

 

 

 

How big should a table runner be?

Hi all!

I’m back after 2 months of non-FF blogging. I’ve been out and about blogging for other pages/sites (list at the bottom), plus I’ve had markets and shows, birthdays, custom orders and Easter in amongst all that too…

I’m here with something that always crops up – especially when I am asked to make table runners for the magazines is what size…

Now this is a question that’s a bit like “How long is a piece of string?” because everyone has a different table or needs a different type of runner for their needs.

So there are some suggestions for making a table runner that I’ve come across in my internet searching –

1. A table runner averages 14 to 17 inches wide.

2. Martha Stewart says to make it as wide as you think looks good, and they should hang down 18 inches at the most.

3. Some suggest that a table runner should be one-third the width of your table.

3. Pick the length and width that look right for your table. If you are unsure make a mock up of the size with paper or spare length of fabric.

4. Table runners run down the middle of a formal dining table. Short runners should hang at least 12 inches off the end of the table on both sides.

 

Now if that all seems a bit too much to take in just have a look at your dining table and do what feels/looks right to you. Mine is a 6-seater and measures 104cm x 180cm, because of it’s size I would normally make a runner that measures 30 – 35cm wide and 120 – 135cm long. This is sticking to rule #3 of a third of the width of the table and brings the length in enough so that a placemat will fit comfortably at either end of the table. BUT it all depends on the design I’m working on – I may need to adjust the size a bit to allow for firstly metric to imperial conversion and then the block I’m making or the strips I’m cutting. Play around with designs and see what happens – remember graph paper is your friend.

I don’t like things hanging off my table so when I make a runner for my table I make it so it’s more like a table topper – a giant placemat for the centre of the table, so that the placemats sit at the same level around the runner on top of a plain tablecloth (or none at all).

Sand Sun & Sky

I’ve just finished making a table runner for a magazine commission – it’s a long runner – 1.8m which is the length of some tables (my market trestle tables are this size for example) and 1.8m is a good size if you have either a large table (8-seater) and want to pop placemats all the way around or have a small table and want the runner to drape off the ends.

Charming Christmas

Like every craft project out there on the net and in every book and magazine you’ve ever read there are specific sizes for things, standards that the industry has put in place for consistency  (like mattresses for example – single bed etc) but like anything it is open to interpretation. Make your runner to suit your dining table, coffee table, side tables and even bedside tables – wherever there is a need for something to sit make a runner or mat for it to sit on.

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Rockabilly Runner

 

This is what I was doing in all that time I was away from here…

http://www.bespokezine.com/2014/03/quilting-design-process/

http://www.bespokezine.com/2014/03/colour-your-life/

http://www.bespokezine.com/2014/03/buying-fabric/

http://www.bespokezine.com/2014/03/my-crafting-companion/

http://www.bespokezine.com/2014/03/patchwork-basic-calculations-and-accuracy/

http://www.bespokezine.com/2014/03/diy-placemat/

 

Marni x

Creative musings…

I am not a morning person and will probably never be one. Ever.

Sure I can get into the routine of getting up and going to work, and maintain such a routine but I don’t like it and it has repercussions on my mind and body. When I’m up early (early for me anyway) I actually feel ill. Eating before 10am is a problem because my stomach hasn’t caught up with the rest of my body being awake and just can’t process anything. I’m no good mentally until midday without coffee or a can of some sticky stimulant drink (and that has its own issues). So I crave a life that lets me be free to wander nocturnally and still pay the bills.

I am at my most creative in the dark. In the middle of the night when the world is asleep, the cars have stopped rushing past my bedroom window and silence descends upon everything the darkness touches, I am awake and ready to design, create and make. I’ve never really understood why this is the way my brain works but have just accepted it and moved on. I have read a few things about creative types being more likely to be up all hours so there must be something scientific and chemical behind it.

I like being awake when no-one else is. It’s soothing to me for some reason, I get more done and there are no distractions. The down side for me is that I can’t run my machine at all hours of the night because it is noisy. So I spend the time drawing new designs, writing patterns and cutting up the next quilt. I love to do all the little ‘process’ jobs that come before the actually assembly of a quilt at night. These smaller steps are the ones that many struggle with – first concept through to execution – because getting started is hard. So for me its easier to do at the best time for me, at night, opening my mind to the quiet of the world and just let the inspiration pour through me.

Daylight hours are for work. The hard stuff, the physical, the things that need to be seen clearly and with lots of light shining on every detail. Night is for freedom of thought, dreaming and wondering what if.

The past couple of nights have been late ones for me going to bed well after 2am. I spend some time in my office, sketching and colouring in, dreaming up all sorts of things. Then I head to bed and read for a little while and then when the burn starts in my eyes I sleep.

I’m in the middle of lots of magazine commissions – quilts, wall hangings, table runners, softies and a bit of jewellery. So sketching is a great way for me to get the designs out of my head and tweak them as needed. Nothing works better than graph paper and a pencil, with a really good eraser and a ruler. I keep my set of colouring pencils handy for when I design things with lots of fabrics that way I can mark out each fabric with a colour and get a better view of what I’m thinking. Drawing these things helps me to clarify my design. Even though I have already visualised the finished project in my mind I work backwards deconstructing the piece into its components and then I can work out how to rebuild it and write notes for it so you can make your own versions.

My world is full of colour. I love it, dream it, mix it and match it. My bedroom and craft room are full of colourful clutter because that is what inspires me. I could never design in an office that was all white, with clean lines and everything in its place and so very neat. My design method is entropic. Chaos and colour all rolled into one brain. I wouldn’t have it any other way.

Many people ask me how I come up with so many things all the time. My answer is because my brain never stops. I walk around like a normal person all the while my brain is chugging along at the back designing, calculating and dreaming up new things. I can be having a conversation with someone and can literally feel my brain working in the background. If I stopped I think my world would stop, my life would stop and I wouldn’t be me.

I wouldn’t have my creativity any other way. I enjoy what I do, it makes me who I am and it makes me happy. I am so grateful to have found my life’s passion at such an early stage in my life.

How do you create? Design? Are you a morning or night person